Tuesday, March 1, 2016

Baracco_ENG



Baracco

Chapter 1
The date of the discord

«What's up? Are you hungry?» asked Abudi to the young kid, who stood by his side.
Maleek nodded. With one hand, he was yanking the copper coat of the man, with the index finger of the other hand, was pointing to his mouth.
«You are right. It's very late.»
Abudi apologized to his son. He knelt down and leaned against the olive-coloured forehead of the youngster, stroking his curly head.
The sun was setting over the city of Bologna, while the Arab merchant was trying to remember what was the way home. His long robes of fine silk were dancing, guided by the wind. The hair, black coloured, like the short, pointed beard, were gathered in a turban. Three golden rings gleamed on his dark fingers.
Firmly tightening the tunic of the father, Maleek watched him shaking his head, right and left. He was looking for a restaurant that he remembered being there, somewhere.
«There it is!» exulted Abudi.
A wooden sign, recited: “Baracco, Bruno and Carlo’s”. The word “Baracco” was carved with great care. The names, however, were ruined by a multitude of scratches. They seemed to have been erased and then rewritten, more than once.
At that moment, Abudi took no notice. Opened the door, he entered.
A large number of tables, large and small, circular and rectangular, were arranged on two levels; one slightly higher than the other. The place was brightly lit by candles and torches on the wall, which spread their warm light, like silent stars.
The tables, adorned with tablecloths and red drapes, were populated by people of all kinds. Clergymen, lords, elegant ladies and armed soldiers, all sitting, eating their food. You could feel a sense of respect, almost sacred, toward what was in the plates.
«Good evening, my good lord. How can, the best chef of the city, serve you? May I prepare a table for you and the young boy?»
A tall man, with thick brown hair and a short beard grizzled, appeared in front of the merchant. He had perfect posture. The apron he wore, tied at the waist, immaculate long time before, was wounded by at least ten different varieties of sauces and spice powder.
«Yes» said Abudi, a little uncertain, still fascinated by the elegance of which was permeated the place.
«Very well. Follow me.»
Abudi and Maleek, were led through the maze of tables, chairs and benches. They passed through a large, circular empty space, at the centre of the lower level, until they reached a secluded spot, in a lonely corner.
Next to them, a small orchestra of only three members; a lute, a viola and a little crumhorn, gave birth delicate melodies.
«I see that you are foreigners. You will be fine here, in Bologna. I'm sure. As for dinner, I would ask for your trust. I will prepare something tasty, light and savoury.»
His confidence was contagious. After Abudi had accepted the proposal, the innkeeper gave a short bow and ran away.
«Yes, Maleek. You'll see that in a bit he will take us something to eat» said to his son, who continued to indicate he wanted to put something in his stomach.
A robust diner, very overweight, sitting nearby, interjected.
«It might take longer than you think.»
Amazed at those words, Abudi demanded an explanation.
«It's the first time you eat here, right? There it is, the reason. It's coming» said the man.
The merchant looked up. Another individual, dressed as the first tavern keeper, had come striding.
«Good evening, my good lord. I'm Bruno, chef of the greatest reputation!»
Abudi smiled, although the enthusiasm with which swelled every word seemed excessive. Bruno was small in stature, with short hair, perfectly ordered. The face, clean, without even a beard hair, made him look younger than he was in reality.
«What can I cook for you?»
Then, the first chef returned. He brought two soup plates, full of dark soup, surrounded by dried dates.
«Dates in broth with olive juice, parsley and a pinch of pepper. Everything, blended with a wine tear.»
Before Abudi could congratulate the innkeeper, for the creativity demonstrated, the shorter chef criticized him harshly.
«What have you cooked, Carlo? Damn. This is a great mappazzone! A mish-mash.»
Bruno apologized to his diners. Not for the outburst, but for the food, as he said, unpresentable. Hurriedly, he grabbed the dishes, then announced that he would’ve gone into the kitchen, to take his latest creation. He returned shortly after, and presented his masterpiece.
«Melted cheese, on blood mutton. To accompany, sliced dates, cooked on the fire. I know that your people loves this fruit. If I'm not mistaken, you call it balah.
Maleek, hungry, thanked him with a nod and began to eat. Abudi, however, was worried by the hostile gazes that the two cooks were throwing each other.
«I see that cooking is not the only thing in which you have some deficiencies, Bruno. The date, in Arabic, is called tamer
«Do not be ridiculous. It's called balah. I remember it perfectly. So called it, the Eastern adventurer who passed by here, last month.»
«Maybe you were distracted, listening while you were cooking. So you failed both.»
Shoving and insults followed, heavier as time passed, until the two chefs found themselves at the centre of the circular open space. When they began to take a fight, all the guests left the tables and surrounded the fighters, encouraging them excitedly.
Seeing that incredible scene, Abudi thought to the importance of appearances. We all show an image of ourselves and the first impression is often exact. We show ourselves for what we are. In the case of the two innkeepers, however, it was wrong.
«In Italy are crazy… They are all crazy…»

Baracco_ITA



Al Baracco

Capitolo 1
Il dattero della discordia

«Cosa c’è? Hai fame?» chiese Abudi al giovanotto che stava al suo fianco.
Maleek annuì. Con una mano, strattonava la tunica ramata dell’uomo, con l’altra puntava il dito indice verso la bocca.
«Hai ragione. È molto tardi.»
Abudi si scusò col figlio. Inginocchiatosi, poggiò la fronte contro quella olivastra del giovane, accarezzandogli la testa riccia.
Il sole stava tramontando sulla città di Bologna, mentre il mercante arabo cercava di ricordare quale fosse la via verso casa. Le sue lunghe vesti, di seta pregiata, danzavano, guidate dal vento. I capelli, neri, come la corta barba appuntita, erano raccolti in un turbante. Tre anelli d’oro risplendevano sulle dita scure.
Stringendo, saldamente, la tunica del padre, Maleek lo osservava agitare la testa, a destra e a sinistra. Stava cercando una trattoria che, a quanto ricordava, era lì, da qualche parte.
«Eccola!» esultò Abudi.
Un’insegna di legno, recitava: “Al Baracco, da Bruno e Carlo”. La parola “Baracco” era intagliata con molta cura. I nomi, invece, erano rovinati da una moltitudine di graffi. Sembrava che fossero stati cancellati e poi riscritti, più di una volta.
In quel momento, Abudi non ci fece caso. Spalancata la porta, entrò.
Un gran numero di tavoli, grandi e piccoli, circolari e rettangolari, erano disposti su due livelli; uno leggermente rialzato rispetto all’altro. Il locale era illuminato a giorno, da candele e torce a muro, che diffondevano la loro calda luce, come stelle silenziose.
I tavoli, adornati con tovaglie e drappi rossi, erano popolati da persone di ogni tipo. Ecclesiastici, signorotti, eleganti dame e soldati armati, tutti seduti, composti, a consumare il loro cibo. Si percepiva un senso di rispetto, quasi sacro, verso ciò che si trovava nei piatti.
«Buonasera, mio buon signore. Come può servirvi, il miglior cuoco della città? Preparo un tavolo per voi e per il giovanotto?»
Un uomo, alto, con folti capelli castani e una corta barba brizzolata, era apparso di fronte al mercante. Aveva una postura perfetta. Il grembiule che portava legato alla vita, un tempo immacolato, era ferito da almeno dieci diverse varietà di sughi, salse e spezie in polvere.
«Sì» disse Abudi, un po’ insicuro, ancora affascinato dall’eleganza di cui era permeato quel luogo.
«Molto bene. Seguitemi.»
Abudi e Maleek, furono guidati attraverso il labirinto di tavoli, sedie e panche. Passarono per un largo spazio circolare, vuoto, al centro del piano inferiore, fino a raggiungere un posto appartato, in un angolo solitario.
Accanto a loro, una piccola orchestra, di soli tre membri; un liuto, una viola e un piccolo corno, partorivano delicate melodie.
«Vedo che siete stranieri. Vi troverete bene qui, a Bologna. Ne sono certo. Per quanto riguarda la cena, mi permetto di chiedere la vostra fiducia. Vi preparerò qualcosa di gustoso, leggero e saporito».
La sua sicurezza fu contagiosa. Dopo che Abudi ebbe accettato la proposta, il taverniere fece un breve inchino e corse via.
«Sì, Maleek. Vedrai che tra un po’ ci porteranno da mangiare» disse al figlio, che continuava ad indicare di voler mettere qualcosa sotto i denti.
Un commensale, robusto, decisamente in sovrappeso, seduto poco distante, si intromise.
«Potrebbe essere necessario più tempo di quanto pensiate.»
Stupito, a tali parole, Abudi chiese una spiegazione.
«È la prima volta che mangiate qui, vero? Eccolo, il motivo. Sta arrivando» disse quello.
Il mercante alzò lo sguardo. Un altro individuo, vestito come il primo taverniere, si era avvicinato a grandi passi.
«Buonasera, mio buon signore. Sono Bruno, cuoco di somma fama.»
Abudi gli sorrise, sebbene l’entusiasmo con cui gonfiava ogni parola, sembrasse eccessivo. Bruno era basso, con capelli corti, perfettamente ordinati. Il viso, pulito, senza neanche un pelo di barba, lo faceva apparire più giovane di quanto non fosse in realtà.
«Cosa posso cucinare, di buono, per voi?»
Allora, il primo cuoco ritornò. Portò due piatti fondi, pieni di zuppa scura, contornata da datteri secchi.
«Datteri in brodetto, con succo di olive, prezzemolo e un pizzico di pepe. Il tutto, sfumato con una lacrima di vino.»
Prima che Abudi potesse complimentarsi col taverniere, per la creatività dimostrata, il cuoco più basso lo criticò aspramente.
«Cos’hai cucinato, Carlo? Accidenti. È un bel mappazzone!»
Bruno si scusò con i commensali. Non per la sfuriata, bensì per il cibo, a suo dire, impresentabile. Afferrò i piatti frettolosamente, quindi annunciò che sarebbe andato in cucina, a prendere la sua ultima creazione. Tornò, poco dopo, e presentò il suo capolavoro.
«Formaggio fuso, su montone al sangue. Ad accompagnare, datteri a spicchi, cotti sul fuoco. So che il vostro popolo ama molto questo frutto. Se non sbaglio, lo chiamate balah
Maleek, affamato, ringraziò con un cenno del capo e cominciò a mangiare. Abudi, invece, era preoccupato dagli sguardi ostili che si lanciavano i due cuochi.
«Vedo che la cucina non è l’unica cosa in cui hai delle lacune, Bruno. Il dattero, in arabo, si chiama tamer
«Non dire sciocchezze. Si chiama balah. Lo ricordo, perfettamente. Così l’ha chiamato quell’avventuriero orientale che passò di qui, il mese scorso.»
«Forse eri distratto, ascoltandolo mentre cucinavi. Perciò non sei riuscito a far bene nessuna delle due cose.»
Seguirono spintoni e insulti, sempre più pesanti, finché i due si trovarono al centro dello spiazzo circolare. Quando iniziarono a prendersi a botte, tutti i commensali abbandonarono i tavoli e circondarono i lottatori, incoraggiandoli animatamente.
Assistendo a quella scena incredibile, Abudi pensò all’importanza delle apparenze. Tutti diamo un’immagine di noi stessi e la prima impressione è, spesso, esatta. Ci mostriamo per ciò che siamo. Nel caso dei due tavernieri, tuttavia, era sbagliata.
«In Italia sono pazzi… Sono tutti pazzi…»

Thursday, January 14, 2016

Jhin_the_Virtuoso_ENG



Jhin, the Virtuoso

How an artist is born

   «After he has beated me with his bare hands, that disgusting son of a bitch derided me for longer than I want to remember. Did I just said “son of a bitch”? Damn, what an inappropriate language. It’s really inopportune that an artist expresses himself in this vulgar way.
   However you should try to understand: it was not easy for me. He had disfigured my face! Humiliated me! It might seem a banal story, but the wounds of the soul are those that cause the greatest upheavals in the life of a man.
   As a result I ran away, but I never forgot the smile of that man. I saw it every night in the stars, in the flames of the fires, even between the wooden planks of the squalid hovel where I slept. Did you noticed that I spoke to the past? “I saw it”, I said. Because now, at last, I'm free.»
   Jhin moved with dancing steps, spinning elegantly on the small stage. Next to him were mounted iron bars according to an abstract and incomprehensible logic. All seats in the front row downstairs were occupied by corpses that looked at him with glassy eyes. The only woman alive, bound and gagged, was wriggling to try to break free from the ropes that immobilized her against the metal sculpture.
   «My lady, please contain yourself. The spectators, all your relatives, have their eyes on us. We have to capture the audience!»
   Vigorously beaten a heel on the hard wood, the man twirled masterfully to the opposite side of the stage. He stopped next to a crimson tent and continued to tell his story.
   «Free, at last! I slaughtered the blacksmith who was hosting me and his entire family, and I laid their bodies around the forge. With hooks of steel blessed in fire I took out the memory of that grin from my mind. I shaped it, and what had always been just a fatal torment became something real. A mask. This mask! In that moment a new me was born. A part of my consciousness, dormant under loneliness and dissatisfaction, awoke.
   Since then I travelled through Valoran. I would have perfected my art at all costs! Nothing would have stopped me. Or so I thought.»
   The last sentence was barely perceptible. A slow whisper, as Jhin knelt, stroking with his hand the mask he wore. Then, silence.
   For a few moments the imprisoned woman was enchanted by the performance, but as soon as her muffled cry broke the silence, Jhin stood up and fired upward, destroying two rudimentary illuminators which were scattering with light the stage.
   «SILENCE!»
   He sighed up to calm down, then he apologized for having raised his voice.
   «Have not hurry to die, my lady. The show is only at half right. I would ask, rather, to accompany the continuation of the narration with some sobs and strangled moans. Here it is, the second act: the drama!»
   Down lights, the desperate woman was crying, forced to take part in that grotesque spectacle. The masked main character was back to master the scene.
   «I would have never believed that scarring on my face would have been the most insignificant of the sufferings. In Demacia I lost my legs. Attempting to escape a violent and uncouth brute, I was distracted by the wonderful sound of a stringed instrument and fell awkwardly from a balcony. Years later, in Piltover, a brutal woman engaged me in a savage melee fight and there I lost my right arm.
   Since then I was segregated into the cells of this city. Isolated. Persecuted from ignominy for my actions. Treated like a monster, just because those who held power were barbaric and uneducated, unable to understand the beauty of murder.
   Nevertheless, some Muse kissed the powerful men of Ionia. They managed to take me back in my homeland, and after many years they freed me, they cured me; then have been commissioned some works that I realized, I am almost ashamed to say it, with supreme genius.
   The first was an old friend, the one to whom I still give credit for my new face. I found I was more like him than I thought possible, since he also wore a mask.
   Then I headed to the man who had captured me years ago, although I must admit to have been approximately in this second work. I'm ashamed, but perfection is arduous to achieve. I had to be short on creativity, because I had honoured my art with the beautiful maiden who had made me listen to her notes. Even though I had not been ordered, I would say that I was very inspired that day.
   Finally, my lady, it was indicated your family. I do not know what business you had with Ionia, but what does it matter whether I can abandon myself to the pleasure of art? Moreover in this city I have destroyed the tools that have taken my arm, leaving the woman who wore them to bleed to death. A friend tried to save her, but I don’t think she could make it judging by how she cried.»
   Jhin fired two more shots. The theatre was flooded by darkness. Only a beam of milky light descended diagonally from a window on the ceiling, illuminating the face of the terrified woman tied to the iron bars.
   «I am a master in my art. What I do is the proof» he said, freeing her mouth.
   Then she began to scream: «Help! Somebody help me! He wants to kill me! Save me!» she squealed.
   «You do not understand. None of you see the roses that bloom between the blood and the tears, nor the graceful butterflies that travel on the wind exhaled by a last breath. You do not see and so do not understand.
   I'm here to spread beauty.
   Because artist is only those who can make from a solution an enigma.»
   Bowed to the audience, and not another word. The cries of the woman were cheerings, a thunderous clapping after his performance. Jhin came down from the stage and walked down the narrow central nave, heading for the main door opened onto the deserted street. He disappeared into the darkness, leaving the woman with moans and sobs.
   When a blanket of clouds covered the moon and in the theatre reigned an unchallenged deep obscurity, the deafening sound of a powerful rifle vibrated in the night.
   «A rose, though hidden in darkness, it will always be beautiful.
   Until they stop me, my work will continue. I have no choice.»